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Jean Auguste Dominique Ingres Romulus as Conqueror of King Acron (mk04) oil painting


Romulus as Conqueror of King Acron (mk04)
Painting ID::  20407
Jean Auguste Dominique Ingres
Romulus as Conqueror of King Acron (mk04)
1811-1812 Oil on canvas. 276x530cm Musee du Louvre, Paris

   
   
     

Jean Auguste Dominique Ingres The Dream of Ossian (mk04) oil painting


The Dream of Ossian (mk04)
Painting ID::  20409
Jean Auguste Dominique Ingres
The Dream of Ossian (mk04)
1812-1813 Oil on canvas, 348x275cm Musee Ingres, Montauban

   
   
     

Jean Auguste Dominique Ingres The Death of Leonardo da Vinci (mk04) oil painting


The Death of Leonardo da Vinci (mk04)
Painting ID::  20412
Jean Auguste Dominique Ingres
The Death of Leonardo da Vinci (mk04)
1818 Oil on canvas 40x50.5cm Musee du Petit Palais, Paris

   
   
     

Jean Auguste Dominique Ingres Raphael and La Fornarina (mk04) oil painting


Raphael and La Fornarina (mk04)
Painting ID::  20414
Jean Auguste Dominique Ingres
Raphael and La Fornarina (mk04)
Oil on canvas, 66.3x55.6cm Fogg Art Museum, Cambridge

   
   
     

Jean Auguste Dominique Ingres Ingres Posing for the Figure of the Virgin in the Vow of Louis XIII (MK04) oil painting


Ingres Posing for the Figure of the Virgin in the Vow of Louis XIII (MK04)
Painting ID::  20417
Jean Auguste Dominique Ingres
Ingres Posing for the Figure of the Virgin in the Vow of Louis XIII (MK04)
c.1822-1824 pencil on paper, 42.5x23cm Musee Ingres Montauban

   
   
     

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     Jean Auguste Dominique Ingres
     J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.

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     | Atkinson Grimshaw | Rudolf Swoboda | maurice de vlaminck |


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